Catalogue9
Collections
Curated narrow rather than stocked wide — each collection with a stance of its own.
Signature
The core collection — three olfactory stances, one standard.
3 fragrances
Newly carried
Independent houses we've just taken on — narrative, wilful, a long way from the department-store shelf.
8 fragrances
Woods and resins
Cedar, frankincense, vetiver, balsam. Fragrances that open dry and close warm — the quietest corner of the assortment, and the one people linger in longest.
8 fragrances
Leather and smoke
The opposite direction from anything fresh: tanned leather, burnt match, tar and tobacco. None of it is meant politely.
6 fragrances
White florals
Tuberose, orange blossom, jasmine — the flowers that smell stronger at night than by day. White here isn't restraint; it's a statement.
7 fragrances
Oud
The most expensive material in perfumery, read four very different ways — from fruited sweetness to medicinal bite.
4 fragrances
Small formats
Two to fifteen millilitres. The honest way to meet a house you've never worn — and the only one we'd recommend before committing to a full bottle.
7 fragrances
French houses
Paris didn't invent perfumery, but it wrote the rules — and these three houses each break them somewhere different.
8 fragrances
Fragrances with a plot
Houses that start from a story rather than a note: an invented novel, a Greek homecoming, a poisonous plant. The fragrance is the synopsis.
8 fragrances
Placeholder data — no real store is connected yet.